vulnerability
vulnerability
vulnerability
Vulnerability
is not a subject.
It is a condition
I work from.
The work takes shape
where human reactions shift.
Where relations
produce expectations
that are fragile,
exposed,
or unresolvable.
I search for structures
that can hold
what does not resolve.
There is a place
for everything.
A form.
An embrace.
A connection.
Sculpture is not representation.
It is spatial
and relational.
Through sculptural
and ceremonial forms,
I work alongside
research,
emotion,
and superstition.
Present
with material conditions.
Many works take the form
of contemporary altars.
Not symbols —
functional structures.
Resistant
to closure.
They invite
tactility.
Encounter.
Duration.
The work remains open.
An object.
A space.
For repetition.
For lived experience.
manifesto
manifesto
manifesto
Vulnerability
is not a subject.
It is a condition
I work from.
The work takes shape
where human reactions shift.
Where relations
produce expectations
that are fragile,
exposed,
or unresolvable.
I search for structures
that can hold
what does not resolve.
There is a place
for everything.
A form.
An embrace.
A connection.
Sculpture is not representation.
It is spatial
and relational.
Through sculptural
and ceremonial forms,
I work alongside
research,
emotion,
and superstition.
Present
with material conditions.
Many works take the form
of contemporary altars.
Not symbols —
functional structures.
Resistant
to closure.
They invite
tactility.
Encounter.
Duration.
The work remains open.
An object.
A space.
For repetition.
For lived experience.
Vulnerability
is not a subject.
It is a condition
I work from.
The work takes shape
where human reactions shift.
Where relations
produce expectations
that are fragile,
exposed,
or unresolvable.
I search for structures
that can hold
what does not resolve.
There is a place
for everything.
A form.
An embrace.
A connection.
Sculpture is not representation.
It is spatial
and relational.
Through sculptural
and ceremonial forms,
I work alongside
research,
emotion,
and superstition.
Present
with material conditions.
Many works take the form
of contemporary altars.
Not symbols —
functional structures.
Resistant
to closure.
They invite
tactility.
Encounter.
Duration.
The work remains open.
An object.
A space.
For repetition.
For lived experience.





